Editor: Rhonda Parrish
Publisher: World Weaver Press
Source: My personal library
Hay-men, mommets, tattie bogles, kakashi, tao-tao—whether formed of straw or other materials, the tradition of scarecrows is pervasive in farming cultures around the world. The scarecrow serves as decoy, proxy, and effigy—human but not human. We create them in our image and ask them to protect our crops and by extension our very survival, but we refrain from giving them the things a creation might crave—souls, brains, free-will, love. In Scarecrow, fifteen authors of speculative fiction explore what such creatures might do to gain the things they need or, more dangerously, think they want.
Within these pages, ancient enemies join together to destroy a mad mommet, a scarecrow who is a crow protects solar fields and stores long-lost family secrets, a woman falls in love with a scarecrow, and another becomes one. Encounter scarecrows made of straw, imagination, memory, and robotics while being spirited to Oz, mythological Japan, other planets, and a neighbor’s back garden. After experiencing this book, you’ll never look at a hay-man the same.
Featuring all new work by Jane Yolen, Andrew Bud Adams, Laura Blackwood, Amanda Block, Scott Burtness, Amanda C. Davis, Megan Fennell, Kim Goldberg, Katherine Marzinsky, Craig Pay, Sara Puls, Holly Schofield, Virginia Carraway Stark, Laura VanArendonk Baugh, and Kristina Wojtaszek.
Do you ever read a book and afterwards sit there stunned? A few weeks later I still have one word to describe this book. Damn. Day-um.
Yes, I’m friends with Rhonda. I look forward to reading anything she touches. But this was a surprise. The editor does a lot; comes up with the concept, reads all the submissions, (maybe) pick the cover art, suggests edits to the authors, and much more I don’t even know about. I’ve seen some of these author names pop up from other projects Rhonda has worked on but playing favorites isn’t her thing; she’ll always pick what she thinks is the best work.
Variety – There’s a good mix within the anthology. Story lengths, settings, time periods, mechanical scarecrows, straw scarecrows… you get the idea.
Pacing – Each piece is well-paced. Every single story felt like it was building to a conclusion of some kind.
I feel like this is one of those very vague reviews. I guess because it is; I’m no pointing to any one story which is better than another. Each person’s experience of this anthology is going to be different. There’s truly enough variety that I’m sure anyone picking this up will find a story that sticks with them.